Amy Heckerlings post-modern font film, Clueless, appropriates the unaltered ideas and value presented in Jane Austens Emma, appealing to contemporary audiences. done the appropriation, Heckerling juxtaposes the societies, drawing attention to the differences and at the same date, criticising her own society. Heckerling successfully transforms the universal values of marriage, loving hi sequencerchy and gender roles, modifying them to get a modern audience.\nHeckerling adapts the nineteenth century contextual shot of, Emma, to appeal to contemporary audiences. Jane Austens novel Emma is set in the village of Highbury, reflecting the slow-paced lifestyle of her time. The magnificence of status and wealth during the era is established through the verbal description of Emma as, handsome, clever and rich. Clueless, however, underscores the importance of consumerism and materialism, picture through the opening montage. The close camera movements and the soundtrack Kids in the Stat es further emphasise the steady paced consumerist lifestyle of the 20th century. with the contextual transformation of Emma, Heckerling exemplifies the similarities amidst the two eras: the fundamental values do not change, unheeding of the change in context.\n conjugal union and relationships in Austens time has been altered to cater for modern perspectives on love. In, Emma, marriage was preponderantly based on affable and financial status. This is explored through Mr Eltons desire to only tramp himself by either pickings Emma or, if not, try for Miss mortal Else. Furthermore, it was considered unacceptable for a pair to marry outside of their tender classes. Emmas opposition to Harriets interest in Mr Knightley is spurred on by her belief that it would be unlikely for, a composition of first-rate abilities to be enthralled by very low powers. In addition, she believes that their relationship would be an, ... If you want to get a full essay, order it on our website:
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