The Many Facets of Freedom - Concepts in Art

The concept of freedom is one openly displayed in close to of the famous artworks in history; it also seeps through into the dainty famous. This concept, though apparently straightforward, is a broad topic pass over legion(p ruboricate) views and aspects. IN the chosen artworks, freedom is developed as equality and trust, in an economic hotshot, a governmental sense and a basic human-rights sense. Not all artists take the sovereign burn up either - freedom is as personal as it is universal. The artwork, Lenin in Red Dawn by Boris Vladimirski, is a regnant comment on Socialist Russia. Lenin, one of the main figureheads of the communist accomplishment - some even call him the Father of fabianism - is standing(a) before a expiration dawn, as is utter by the works title. Rather than use obvious methods of anti-political art, Vladimirskis oil on cardboard work utilises two major techniques to pass on his message. The low technique used, the foremost of the two, is that o f the red dawn nooky Lenin. As well as being the colour of the commie caller in socialist Russia, red is also a colour that is deeply interconnected with human moods and symbolism. Red is symbolic of passion, render and desire, also, too much red can be associated with irritation; hence the saying: seeing red.

Thus, the backdrop of red over the foregrounded image of Lenin can take on galore(postnominal) meanings. A passionate man, addressing the proletariat of the time, it may be interpreted to mean Lenin was a man of fervour for his cause. While the aforementioned(prenominal) is true, the supreme view take n in this work, however, is that of red sym! bolise power. The second, and less(prenominal) obvious, technique is that of gesture. Lenin himself stands in a powerful pose, the thread sweeping his clothes back. Standing in opposition... If you want to go nearly a full essay, order it on our website: BestEssayCheap.com

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